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Introduced species series 1

The photograph is the witness to existence of a period of time. It has the ability to memorialises an event, which questions our immorality and highlights the impermanence of our societies and cultural back drop.

The premise behind the Introduced Species, Series One was to create a visual interpretation of how the original indigenous population may have witnessed the unannounced arrival of white settlers.

The location the photographs were taken is also of importance as it is in an area that was once inhabited by Tasmanian Aboriginals. Also of importance was that the site looks out on the expansive ocean towards the then unknown island of mainland Australia.

These original custodians having relied on oral histories through the retelling of dreamtime stories is also an intricate element. The Aboriginals having not experienced people with white skin or clothing would also at the time been unaware of any distant land where humans inhabited.   

The misty location provides a boundless environment to place the dream like transparent body. Did they perceived us as a dream, was fear felt on the first encounter? …….This I leave for the audience to interpret.

Jennifer Dickens 2006-2008

 © 2021 Jennifer Dickens

Artist Statement.

Lost at Sea is a photographic exploration of coastal waste resulting from consumption and industry. This series documents a range of plastics, from massive ghost nets to intricate toys. While the collection primarily took place in the Indian Ocean, it reflects my view that the world has only one global ocean. The interconnected nature of oceans means they lack boundaries or borders, being fluid and organic where currents displace matter. Plastic sea pollution is a global issue, not confined to any specific place or time.  

I have chosen to work with diverse visual outcomes, each symbolizing specific metaphors to highlight the juxtaposition of beauty and devastation. My impetus is to raise awareness about the pervasive nature of plastic consumption and its pollutant demise that infiltrates into our natural systems. By documenting ghost nets and plastics along the tide lines, I hope to evoke a sense of urgency and responsibility in audiences, encouraging them to reflect on their consumption habits and the broader implications their patterns of behaviour have on our planet.

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